The Viltrox AF 135mm f/1.8 LAB lens is making a buzz amongst Sony and Nikon shooters, providing a mix of superb symbol high quality and a quick aperture. Its possible to carry portrait and sports activities pictures makes it a lens price taking into consideration for the ones having a look to step up their sport.
Coming to you from Omar Gonzalez Photography, this superb video assessment supplies a realistic review of what the Viltrox AF 135mm f/1.8 LAB lens can do in on a regular basis eventualities. Gonzalez examined it broadly, together with candid side road scenes, motion sports activities pictures, and intimate circle of relatives portraits, revealing its strengths and a few issues to be careful for. One standout second comes early, with a snapshot that straight away stuck Gonzalez’ consideration, showcasing the lens’s outstanding rendering and fulfilling background blur. However, no longer the entirety about this lens is flawless—Gonzalez stocks a valid fear about its tight have compatibility when mounting it on Nikon Z-series our bodies, cautioning customers to be mild.
In pictures mode, the autofocus is snappy and actual, dealing with fast, spontaneous pictures impressively smartly. Gonzalez recounts a spontaneous seize of a bike owner framed completely between cherry blossoms, praising the lens’s fast center of attention acquisition. However, video customers would possibly to find slight frustrations right here, because the lens reveals minor hesitation right through steady autofocus monitoring in video mode. Gonzalez issues out that even if it is delicate, videographers would possibly understand and like a smoother enjoy.
Key Specs
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Focal Length: 135mm
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Aperture Range: f/1.8 – f/16
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Mounts Available: Sony E, Nikon Z
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Autofocus: Yes
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Stabilization: None
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Filter Thread: 82 mm
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Minimum Focus Distance: 2.36′ (0.72 m)
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Optical Design: 14 components in 9 teams
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Diaphragm Blades: 11
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Angle of View: 19.04°
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Dimensions: 3.7 x 5.7″ (93 x 145.7 mm)
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Weight: 2.7 lb (1235 g)
Gonzalez emphasizes the flexibility of the 135mm focal duration, in particular its energy in shooting full-body portraits, which reach a putting medium-format aesthetic because of the pronounced separation between matter and background. He demonstrates obviously how distance from the topic profoundly impacts the blur, advising audience to experiment creatively. While the lens excels at vast apertures, Gonzalez reminds you to keep away from depending only on capturing wide-open, illustrating with an instance of a pair portrait the place stepping down the aperture fairly would have advanced sharpness and intensity of box.
The video additionally explores the sensible barriers of the lens, in particular its noticeable vignetting at f/1.8, which diminishes considerably through f/2.8 and is just about invisible at narrower apertures like f/5.6 and f/8. Gonzalez in my view unearths vignetting interesting, suggesting it could support moderately than detract from {a photograph}. He additionally notes the lens is sharpest at mid-range apertures, recommending f/5.6 to f/8 for optimum element. Check out the video above for the whole rundown from Gonzalez.