Home / World / Europe News / TULLY POTTER evaluations: Die Walkure on the Royal Opera House: The costumes are a large number and there is a large log in the midst of the set… however the making a song and taking part in are superb
TULLY POTTER evaluations: Die Walkure on the Royal Opera House: The costumes are a large number and there is a large log in the midst of the set… however the making a song and taking part in are superb

TULLY POTTER evaluations: Die Walkure on the Royal Opera House: The costumes are a large number and there is a large log in the midst of the set… however the making a song and taking part in are superb

Die Walkure (Royal Opera House)

Verdict: Well solid, neatly sung, neatly performed 

Rating:

The new ROH Ring reaches its 2d night time with the most efficient all-round solid I will recall in Die Walkure: the uniformly sonorous sounds emanating from the level are matched via the wonderful row coming from the pit.

As the surroundings, costumes and manufacturing are execrable — Wotan, supposedly king of the gods, is a lifeless ringer for J.D. Vance (‘Make Valhalla Great Again’) in his go well with and tie — possibly I might extra profitably stay at the musical facet for some time.

The incestuous fanatics of Act 1, Siegmund and Sieglinde, are given lifestyles via the contemporary tones of French tenor Stanislas de Barbeyrac and Welsh-Ukrainian soprano Natalya Romaniw. American bass Soloman Howard’s darkish voice is helping to make Sieglinde’s husband Hunding an uncongenial piece of labor.

As Brunnhilde, the Valkyrie of the name, Swedish soprano Elisabet Strid is vertically challenged — she wishes one of the crucial stature of Russian mezzo Marina Prudenskaya’s nice Fricka (acquainted from Rheingold in 2023), who has inches to spare — however she sings with energy and depth.

J.D. … er …Wotan is lent vocal heft and grandeur of phraseology via Christopher Maltman, who turns out destined to impersonate politicians — he used to be Iain Duncan Smith to the lifestyles in Rheingold. 

I approve of his dressed in a wig. I guess the Orange One is being held in reserve for Gotterdammerung.

Die Walkure ar the Royal Opera House, Covent Garden, London

Sir Antonio Pappano and the orchestra generate super energy in such giant numbers because the Ride of the Valkyries — a pity Barrie Kosky’s manufacturing renders the scene pathetic to the attention.

Again the motion is haunted via a SENOL (Symbolic Emaciated Naked Old Lady), supposed to be the goddess Erda. I felt satisfied on her behalf that it used to be a heat evening.

We get some other large log — I can’t inform you if it’s the identical one as in Rheingold: one log appears to be like just like some other to me.

The Magic Fire in Act 3 glints in a lifeless tree.

Designer Rufus Didwiszus makes Hunding’s hut an unimpressive wall, from a crack by which Siegmund attracts the sword Nothung. I won exactly nothung from this transaction.

Smoke drifts in regards to the level every now and then and the Valkyries unearth desiccated human skeletons from someplace.

You need to know in regards to the costumes. Sieglinde looks as if a Melbourne housewife. Siegmund eliminates a big hoodie to expose … a smaller hoodie. Hunding turns out to paintings as a safety guy. Fricka arrives in a Rolls-Royce. Anyone would assume she used to be Dame Edna, most effective she sings higher.


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