Seeing Landscapes Differently With a 100-400mm Lens

When it involves panorama pictures, choosing the proper lens is not just a element—it shapes all your inventive procedure. Many photographers default to vast perspective lenses, however exploring telephoto choices can totally redefine your photographs.

Coming to you from William Patino, this insightful video specializes in the 100-400mm telephoto lens—arguably one of the crucial underappreciated lenses for panorama pictures. While same old lenses just like the 24-70mm zoom deal with a spread of eventualities and vast perspective lenses (like the preferred 16-35mm) seize sweeping scenes, Patino emphasizes the unique features of the telephoto lens, particularly at longer focal lengths. He explains how the 100-400mm lens permits you to to find charming main points inside huge scenes, encouraging a extra intentional way for your compositions. The good thing about the usage of the sort of lens is not just about zooming in; it’s about stripping away visible litter and setting apart compelling components.

Patino addresses why he prefers the 100-400mm over the continuously really useful 70-200mm. Once conversant in the prolonged succeed in of the longer lens, reverting to a shorter telephoto feels restricting. He suggests this focal period is helping you realize intricate main points it’s possible you’ll another way disregard in expansive landscapes. Rather than simply taking pictures grand vistas, you learn how to acknowledge smaller compositions embedded inside broader scenes. The result’s a richer portfolio of distinctive photographs that stand aside from the everyday vast perspective views flooding social media feeds.

One of the sensible guidelines Patino stocks is to leverage layers to construct intensity inside your compositions. Using a telephoto lens, you’re higher supplied to intentionally choose foreground, midground, and background components, crafting photographs with larger visible complexity. He additionally supplies recommendation on lights—specifically the effectiveness of sidelight. Unlike wide-angle pictures, which will simply incorporate direct daylight or dramatic skies, tighter telephoto compositions get advantages extra from angled or oblique gentle. This form of illumination highlights textures, complements shadows, and creates a way of intensity that flat, direct daylight regularly fails to reach.

Telephoto lenses require explicit stipulations to in reality shine—suitable landscapes, considerate compositions, and favorable lights. Patino notes this lens isn’t all the time the very best to make use of, particularly for those who regularly {photograph} the similar native surroundings. However, for those who continuously discover various landscapes or search new photographic demanding situations, including the 100-400mm for your equipment can considerably increase your inventive horizons. He cautions that whilst the lens is flexible sufficient for quite a lot of terrains—forests, mountains, coastlines—it calls for persistence and exact alignment of environmental components. Check out the video above for the whole rundown from Patino.

And for those who actually need to dive into panorama pictures, take a look at our newest educational, “Photographing the World: Japan II – Discovering Hidden Gems with Elia Locardi!”