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Powerful pictures seize the fragility and resilience of our planet

Powerful pictures seize the fragility and resilience of our planet

A panda keeper does a well being test at the cub of big panda Xi Mei on the Wolong Nature Reserve

Ami Vitale

These pictures from the Earth Photo 2025 pageant shortlist inform revealing, inspiring and sudden tales in regards to the local weather and existence on our planet.

Pictured most sensible, photographer Ami Vitale’s symbol Pandamonium presentations a large panda keeper checking the well being of a panda cub within the Wolong National Nature Reserve in Sichuan province, China. The keeper’s outfit is a part of an effort to scale back the affect of human touch at the bears. Next, underneath, is Sue Flood’s Crabeater Seals, shot on an ice floe within the Southern Ocean, off the Antarctic Peninsula. For Flood, such pictures can convey the area’s surprise to people who would possibly by no means consult with.

Sue Flood - Crabeater Seals Southern Ocean, Antarctic peninsula Quite simply, the polar regions are among the most awe-inspiring and extraordinary wildernesses on our planet. For almost thirty years, I have been privileged to explore both the Arctic and Antarctic, and I am forever humbled by their scale, and their remarkable inhabitants?wildlife perfectly adapted to these seemingly inhospitable environments. As Sir David Attenborough once said: "No one will protect what they don?t care about, and no one will care about what they have never experienced." Photography, like storytelling, is a way of bringing the beauty and wonder of the polar regions to those who may never set foot there. By sharing the beauty, the resilience, and the vulnerability of these extraordinary places, we can inspire people to act. The polar regions are not just distant wildernesses; they are a vital part of our planet?s delicate balance. They remind us our shared responsibility to protect it. I was working in the Antarctic peninsula when I spotted this breathtaking scene of three crabeater seals, lying on an ice floe. The shapes of the mountains and floe, combined with the reflections and dramatic, grey skies made for a dramatic image. Crabeaters are the most numerous seal in the Antarctic.

Crabeater Seals Southern Ocean, Antarctic peninsula

Sue Flood

Paradise to Ashes, La Palma by way of Jonathan Browning pictured underneath, presentations the aftermath of the 2021 Cumbre Vieja volcanic eruption in this island within the Canaries, Spain. A lady has remade her lawn, disposing of lava that destroyed mature arms and changing them with new bushes.

Jonathan Browning, La Palma Series Canu Martin-Mur, (67) from Spain. She had to remove some lava that broke her garden walls and destroyed mature palm trees. She has since replaced tha wall and laid down an artificial lawn and planted new palms and plants to regrow again. La Palma. An island of the Canaries. Two years after the Cumbre Vieja volcanic eruption in late 2021. Photography taken on January 2024.

La Palma. An island of the Canaries. Two years after the Cumbre Vieja volcanic eruption in past due 2021

Jonathan Browning

The ultimate symbol underneath is Vincenzo Montefinese’s Lost Oases, shot in Tinzouline, Draa valley, Morocco. Here, a person adjusts a sun panel that powers a water pump that irrigates within sight palm groves. Climate exchange and water use have gotten smaller the valley’s oases by way of two-thirds over the last century. Today, farmers should dig extra wells, continuously illegally, to get entry to groundwater.

Vincenzo Montefinese - Lost Oases Tinzouline, Draa Valley, Morocco, October 2, 2023. Salim El Kabir, 42 years old, adjusts the solar panel that powers the pump for extracting water from the well used for irrigating the date palm groves near the Draa River. The increasing drought has driven farmers in the Draa River basin to dig more wells, often illegally, to access groundwater.

Tinzouline, Draa valley, Morocco

Vincenzo Montefinese

The pictures and movies at the shortlist have been selected by way of a panel together with New Scientist image editor Tim Boddy and head of editorial video, David Stock. The winners shall be printed on 16 June. The Earth Photo 2025 exhibition is at London’s Royal Geographical Society from 17 June to 20 August sooner than it excursions the United Kingdom.

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