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The ’80s had been ahead of my time, however a few of my all-time favourite films — like Heathers and Beetlejuice — come from this period.
Here are 40 attention-grabbing behind-the-scenes details about iconic ’80s films:
1.
The well-known Top Gun volleyball scene just about value director Tony Scott his task. On THR’s Behind the Screen podcast, editor Chris Lebenzon stated, “That scene was scripted as a real game. They kept score and everything, and Tony shot it like a commercial, and they were angry.” Editor Billy Weber stated, “The studio was so pissed off. The head of production, Charlie McGuire, he said, ‘I’m gonna fire him’…because he spent a whole day shooting this scene…And then, of course, it turns out it’s one of the most famous scenes in the movie.”
2.
When Harry Met Sally… firstly ended with the 2 leads strolling clear of each and every different, however director Rob Reiner modified the finishing after he fell in love. He advised the AV Club, “They did. Because at that time, I couldn’t figure out how I was going to get with anybody, so I just had them walking in opposite directions at the end. And then I met the woman who became my wife during the making of the movie, and I changed the ending.”
3.
There’s a longstanding rumor that the younger solid of The Goonies were not allowed to peer One-Eyed Willy’s pirate send till the cameras had been rolling so as to seize their real-life reactions. However, at a reunion panel all over 2025 Awesome Con, Sean Astin stated, “I was sort of offended that they had that idea, that they wouldn’t let the kids see the pirate ship, so that they could capture their real reaction. Like, what? We don’t know how to do real? We did real reactions all the time. But I remember wanting to perform in such a way, because I had had a sneak peek of it. So I wanted to perform in a way that really made them think that they had captured the honest reactions, so they would for 40 years be like, ‘Oh, we got these kids to do this thing!'”
However, Martha Plimpton added, “I hadn’t seen it. My performance was honest…One [take]. [That’s] all they needed, baby.”
4.
Christian Slater advised Entertainment Weekly that he and Winona Ryder “tried” courting after wrapping Heathers. Winona stated, “We never went out! He was dating Kim Walker. And I had, like, such a big crush on him…It’s funny, the last time I watched the movie, I was like, ‘God, we have really great chemistry!”‘ And I ponder whether it used to be partially to do with the truth that, you already know, I needed I may. There had been a few occasions the place we attempted to move out, however there used to be at all times some form of drama. Nothing came about till after the film. Then I do consider, like, making out with him a couple of occasions after he broke up with Kim.”
5.
Matthew Broderick and Jennifer Grey, who performed siblings in Ferris Bueller’s Day Off, publicly dated IRL after the film’s free up. In her memoir Out of the Corner: A Memoir, Jennifer published that they in fact secretly dated whilst everybody stayed in the similar resort all over filming. She wrote, “Suddenly you’re living one of those bedroom farces, padding down the carpeted hallway, barefoot in your robe, or in various stages of undress. The row of peepholes on the other guests’ doors can feel like an army of eyeballs watching your every move.” They had been engaged in 1988 however broke up in a while after.
However, they were not the one couple to come back out of the film. Per Business Insider, Lyman Ward and Cindy Pickett, who performed their onscreen folks, were given married in 1986. However, they divorced in 1992.
6.
On the set of 9 to 5, Dolly Parton composed her track of the similar identify the usage of her acrylic nails as an tool. On The Graham Norton Show, she stated, “I was bored always in between ’cause they have so much time between setups with lighting, and you just sit around. And what are you gonna do? You can’t really get, you know, into a good book or anything ’cause you don’t know when they’re gonna call you. So, on the set, I would watch everybody, because this was all about women in the workplace. And part of my deal with Jane Fonda, if I was in the movie, that I would get a chance to right the theme song. So, I didn’t have a chance to get my guitar, go back to the trailer all the time, so I would just kinda roam around on the set watching everything that was going on. And I would take my nails because with the acrylic nails, it makes, like, a percussive sound…”
She persevered, “It sounded like a typewriter too, so I just started to write little words and things that I would see and things I would think that would fit with that day-to-day, nine-to-five job — getting up and drinking your coffee, stumbling to the kitchen and all. So then, I’d go back at night into my hotel room and then put those things down. But I did that over a period of time, and after we recorded the song, I brought all the girls down that was on the show, and I played my nails. So I have a credit on the back of the album that says, ‘Nails by Dolly.'”
7.
The Outsiders actor C. Thomas Howell advised Entertainment Weekly, “There’s a moment at the beginning of the movie when we’re at the drive-in theater, and Matt Dillon leans back in his chair and falls. I turn and laugh right into the camera. I thought they would cut, right? Well, of course, Francis [Ford Coppola] doesn’t, because those are the moments that he searches for.”
8.
While taking part in Bender in The Breakfast Club, Judd Nelson went way. Not breaking persona between takes, he bullied his castmates, particularly Molly Ringwald. In the ebook You Couldn’t Ignore Me if You Tried, she stated, “I am not a method actor, but I could see it was so clearly what [Judd] was doing that I think I was just sort of rolling my eyes…It really did upset John [Hughes]…He was incredibly protective of me…I have never, ever seen him so angry. He was really irate…Everybody sort of rallied together – myself included – and pleaded with John not to fire him…I really wanted Judd in that part. There was nobody who got that part the way he did.”
9.
Eric Stoltz used to be to start with solid as Marty McFly in Back to the Future, however his way performing and drama talents did not translate to screwball comedy in addition to manufacturing was hoping. So, a pair weeks into filming, director Robert Zemeckis and creator Bob Gale made a care for studio head Sid Sheinberg in the back of his again — they might stay filming with him till they may deliver within the lead actor they truly sought after — Michael J. Fox. According to the ebook We Don’t Need Roads: The Making of the Back to the Future Trilogy, Eric reportedly took the inside track beautiful onerous.
Ahead of the announcement, some solid and team participants allegedly felt that one thing used to be “off” on set. Cinematographer Dean Cundey stated, “There were signs, especially the last week or so. When we would set up a shot and we would shoot Chris Lloyd’s angle, but we wouldn’t do the reverse on Marty. I’d say, ‘Don’t we need the angle?’ and Bob would say, ‘No, no, no, let’s not worry about that.’ It didn’t take long for me to see that we were saving our energy for what would come next.”
10.
Reese’s Pieces were not firstly a part of E.T. the Extra-Terrestrial. Director Steven Spielberg advised Entertainment Tonight, “I wasn’t in direct communication with M&Ms. I simply made the request. It was M&Ms in the screenplay.” However, as a result of he used to be seeking to stay E.T.’s look underwraps, he did not wish to ship the script to Mars, Inc., which in the long run led them to say no the product placement. Steven persevered, “I used to be simply advised that we were not given permission to make use of M&Ms, so I stated, ‘Well, what is my subsequent favourite sweet?’ Which [has] now change into my maximum favourite sweet, as a result of I’ve been consuming it now for 20 years, and that’s the reason Reese’s Pieces. [Hershey] stated sure, and that was the sweet of the hour.”
11.
Per Digital Spy, the Die Hard manufacturers had been contractually obligated to provide the main function to Frank Sinatra, who used to be 70 on the time, ahead of another actors might be regarded as. The be offering needed to be made as a result of he starred within the 1966 movie The Detective, which used to be according to the ebook that preceded Nothing Lasts Forever. Die Hard used to be tailored from Nothing Lasts Forever, making it a unfastened sequel to The Detective. However, the singer became it down — as did Clint Eastwood, Sylvestor Stallone, Arnold Schwarzenegger, Richard Gere, James Caan, and Mel Gibson. Bruce Willis in fact declined the function to start with, however after his display Moonlighting needed to pause manufacturing to deal with his costar Cybill Shepherd’s being pregnant, he permitted.
12.
Per Entertainment Weekly, the boulder in Raiders of the Lost Ark used to be 500 kilos of fiberglass, and it used to be 22 toes large. To create the sound, sound clothier Ben Burtt slowly drove his Honda Civic over gravel.
13.
While filming the worm scene in Indiana Jones and the Temple of Doom, Kate Capshaw had a number of buckets of are living insects poured on her. In a behind-the-scenes featurette, she stated, “I was really asking people. ‘Is there a pill? There must be something I can take to keep myself from freaking out.’ Because I don’t want everyone to look at the movie going, ‘She’s on drugs!’ But I did take something that was like a relaxant.”
14.
Michael Keaton to start with became down the titular function in Beetlejuice thrice, however the closing time he met with Tim Burton, the director stated a couple of issues that caught in his thoughts. Michael advised Charlie Rose, “I said, Give me the night or two days,’ and I called the wardrobe department at the studio…and said, ‘Send me a bunch of wardrobes from different time periods, randomly. Just pick a rack.’…And then I thought of an idea of teeth and I thought of an idea of a walk, and I knew it had been there. And I called and said, ‘I got an idea, and I don’t know if it’s going to work or not, so let’s just go do this thing.'”
“Here’s the amazing part about it: He never saw any of it. We discussed it. I said, ‘I want hair that looks like I stuck my finger in an electrical socket.’ And to the great Ve Neill in wardrobe, I said, ‘I want mold somewhere…So I showed up for work, and I walked on the stage and said, ‘This is either going to be way off the mark, or he’s just gonna — I don’t know what he’s gonna do.’ He got it immediately,” he stated.
15.
Per Screen Rant, in Star Wars: Episode VI – Return of the Jedi, Luke Skywalker reportedly debuted a brand new inexperienced lightsaber since the earlier blue design used to be tricky to peer in opposition to the sky.
16.
Ghostbusters visible results team member Steve Johnson advised Bloody Disgusting that designing the now-iconic ghost Slimer “was the most annoying, horrendous experience [he’s] ever had working with art directors, producers, and directors, ever.” Writers Dan Aykroyd and Harold Ramis sought after to design Slimer within the likeness in their overdue good friend John Belushi, who’d been solid as Peter Venkman ahead of his loss of life — however nobody advised Steve till the day ahead of his ultimate design used to be due.
He stated, “I didn’t know until the last fucking day. I’d been working for six months sculpting hundreds of Slimer variations, and they finally said, ‘Make him look more like Belushi, and I said, ‘What the fuck are you talking about?’ So I pulled out a stack of headshots of John Belushi, poured a gram of cocaine on it, and started chopping lines up. I was three grams into the night and in a cocaine-induced delusional paranoia, and I literally thought that John Belushi’s ghost came to me to help me out.”
17.
Joseph Gordon-Levitt, who is a large fan of The NeverEnding Story, tweeted that the Falkor prop “was 43 feet long, party made out of airplane steel, and weighed hundreds of pounds (just the head was 200 lbs.)”
18.
The Color Purple creator Alice Walker used to be closely concerned with the 1985 movie adaptation of her novel. According to the AFI Catalog, her contract required that part of the manufacturing be feminine, African American, or “people of the Third World.” She additionally advocated for the casting of “lesser-known actors” as a result of she felt they might higher relate to her characters.
19.
The Lost Boys wasn’t firstly envisioned as an adolescent vampire film. Co-screenwriter James Jeremias advised the Guardian, “I’d read Interview With the Vampire by Anne Rice and was inspired by the little girl, Claudia, trapped in the body of a five-year-old for eternity. It got me thinking about JM Barrie’s Peter Pan – where our title came from. What if the reason he came out at night, could fly, and didn’t grow up was because he was a vampire? We took a fictional character and put him in a new light. What if it wasn’t all goodness and there was some evil intent? Warner Bros paid us $375,000 for the script. About a year later, we had a meeting with [original director, later executive producer] Richard Donner about rewrites. It was brutal.”
“We had designed the film to be a boy’s adventure, set in a time before sex rears its head. But that’s not what the studio wanted. Donner wanted the boys to be old enough to drive. What he meant was old enough to fuck. He also wanted Star – whom we’d written as a boy – to change sex and be the love interest. He was turning our story into a teenage vampire movie. Once we sold the script, it was out of our hands,” he stated.
20.
Fast Times at Ridgemont High actor Jennifer Jason Leigh reportedly advised LAHExam that, to get in persona as a highschool scholar, she were given a role at Perry’s Pizza in Sherman Oaks Gallery for 3 weeks. She additionally reread all of her previous letters and diaries from highschool.
21.
According to Empire, Beverly Hills Cop celebrity Eddie Murphy wasn’t a espresso drinker. However, someday on set, he had a robust cappuccino. As a end result, he improvised a monologue that used to be so humorous, director Martin Brest needed to depart the room and use blankets to soundproof his laughter.
22.
In his ebook As You Wish: Inconceivable Tales From the Making of The Princess Bride, Cary Elwes stated that, whilst filming the scene the place Christopher Guest knocks him out with a sword, he used to be suffering to time his response appropriately, so he requested the opposite actor to only faucet him with it. He wrote, “Chris swung the heavy sword down toward my head. However, as fate would have it, it landed just a touch harder than either of us anticipated. And that, folks, was the last thing I remember from that day’s shoot. In the script, Bill [Goldman]’s stage directions from the end of this scene state: ‘The screen goes black. In the darkness, frightening sounds.’ Which is precisely what happened.”
He persevered, “I woke up in the emergency room, still in costume, to the frightening sound of stitches being sewn into my skull…and, of course, Chris felt absolutely terrible about the whole thing, even though I kept telling him it wasn’t his fault. It was my dumb idea. But you know what? That particular take was the one that ended up in the film. So when you see Westley fall to the ground and pass out, that’s not acting. That’s an overzealous actor actually losing consciousness.”
23.
Paula Abdul choreographed the marriage dance in Coming to America. She advised Rolling Stone, “This was one of my moments of having to really prove myself, because I was still pretty new in my career as a choreographer. John Landis, the director, wanted the person that choreographed Janet Jackson. I was still a Laker Girl. I went in and he looked at me and said, ‘What are you, a teenager?’ And I said, ‘Yes, I am!’ He basically was telling me, ‘What do you know about African dancing?’ And this is my whole thing when becoming a choreographer: ‘I’ll just tell everyone yes, I know exactly what I’m doing, and then I’ll figure it out later.’ That’s basically what I did.”
“I said, ‘I know a lot!’ And he goes, ‘Hmm, I don’t think so, because I was expecting someone like Debbie Allen to come in.’ And I said, ‘I may be young, but I know what I’m doing.’ So he left me alone. When you think about it, back then we didn’t have the Internet, so there was no research you could really do, other than going to the library. I created my own style of what I thought should be right for the movie, and John Landis loved it. I worked with Nile Rodgers on the music, and we came up with a drum loop. There were lots of intensive rehearsals, and it was hardcore; it was a lot of work. It was not an easy thing to accomplish, but it’s one of the things I’m most proud of,” she stated.
24.
John Cusack used to be hesitant to movie the enduring boombox scene in Say Anything. Director Cameron Crowe advised USA Today, “[John] thought it was too subservient. The defiance that he has when he’s doing the scene is what makes the scene great. He made it work. The way he performs it, it’s just blatantly defying you to consider it cheesy. That’s why he’s so heroic in that moment. He’s still doubting whether the boom box scene is going to work at all. He’s kind of fighting for the scene.”
25.
Tom Hanks realized the rap that he does in Big from one in all his sons. On Friday Night with Jonathan Ross, he stated, “It was actually a thing that my son learned at summer camp, and we were looking for something to throw into the movie that we would both know. And I said, ‘Well. how about we do this thing…?'”
26.
Christopher Lloyd does not blink as soon as in Who Framed Roger Rabbit. He advised Entertainment Weekly, “A toon doesn’t have to blink their eyes…I mean, they’re not human. So I just felt Judge Doom should never blink. It makes him even more ominous, more scary. I just loved to find little things that make him even more evil.”
27.
While filming A Christmas Story, Peter Billingsley did not in fact say, “Fudge.” He advised BuzzFeed, “Oh, they had me say ‘fuck.’ On all the takes. I think we looped in the word ‘fudge’ on top of it, so you could get the mouth to curl to the consonant of ‘K’ instead of ‘D.’ I was like, ‘Ohhhhhh, fuuuuuuck!’ I had been in Hollywood for a long time at that point; it wasn’t the first time I’d heard it, or probably said it.”
28.
Per Vanity Fair, whilst The Blues Brothers used to be filming in Chicago, John Belushi — who used to be from town — used to be so well-liked by the locals that Dan Aykroyd referred to as him “the unofficial mayor of Chicago.” Journalist Mitch Glazer, a chum of the 2 actors, advised the hole, “John would actually hail police automobiles like taxis. The law enforcement officials would say, ‘Hey, Belushi!’ Then we’d fall into the backseat, and the law enforcement officials would power us house.”
29.
Inhaling the pretend cocaine in Scarface broken Al Pacino’s nostril. He advised Fox 5 Washington DC, “I knew, with Scarface, they combined it with stuff — not real, I mean not narcotics — but something else to cut it down so it was possible. But for years after, I have had things up in there. I don’t know what happened to my nose, but it’s changed. My breathing apparatus has been sort of altered a little, but other than that it was easy to do. But in moviemaking, you know, they have ways of making it look like it’s more than it is. There’s just so much of that stuff you can take.”
30.
Blue Velvet make-up manager Jeff Goodwin advised Entertainment Weekly, “David [Lynch, the director] and I approached [the ear] like a character in the film. We actually called it Mr. Ear…My first ears I made, I actually made casts of my own ears. I made them out of material which was kind of the norm back in the day then, which was liquid latex. Rubber, you know? I took them into David’s office. He was actually on the phone. I put them on the desk. He’s playing with them, looking at them. He gets off the phone and goes, ‘These are great, these are great, but let’ s make them adult ears.’ I said, ‘David, those are my ears!’ He looks at my ears and says, ‘You have the smallest ears in the world.’ It’s true. I never noticed before. I do have small ears!” So, he ended up growing Mr. Ear by means of casting manufacturer Fred Caruso’s ear.
31.
Anthony Michael Hall hit a enlargement spurt ahead of reshoots on National Lampoon’s Vacation. He advised Business Insider, “We did the reshoot for Vacation six or nine months later. The funny thing is that puberty had fully kicked in for me. I’m literally seven inches taller. So if you look at the movie closely, you’ll see that my hair is darker, and I got taller and skinnier.”
32.
According to a Facebook submit from the reputable Stanley Kubrick web page, “To create the elaborate wintery maze in The Shining, it took nearly 900 tonnes of salt and crushed Styrofoam.”
33.
Gremlins used to be impressed by means of the mice dwelling in screenwriter Chris Columbus’s house. He advised Indiewire, “By day, it was pleasant enough, but at night, what sounded like a platoon of mice would come out, and to hear them skittering around in the blackness was really creepy.”
34.
The Karate Kid used to be nearly an Eastwood circle of relatives manufacturing. Before Clint Eastwood became down directing the movie, his son Kyle auditioned for the lead function. Kyle advised the Guardian, “I didn’t turn it down — I was actually willing to do it. My father was looking at the script originally and then decided not to do it. He had mentioned it to me and said he thought it was an interesting part. He ended up passing the script on to somebody else, and it ended up becoming The Karate Kid.”
35.
Joan Rivers’s scene with Miss Piggy in The Muppets Take Manhattan used to be a problem to movie. Frank Oz advised NPR, “I was directing that movie also, and we rented Bergdorf Goodman’s on a Sunday morning, and Sunday all day, and Joan had to leave. She had an engagement that evening, some performance she had to do. So we only had her for one day, and not a complete day either. So I had two cameras going and — in the scene, really, although you didn’t play it all, it ends with them hysterically giggling and losing control, just laughing like two, you know, two friends laugh. And we — it just wasn’t working. I mean, I — it’s very hard to if you try, it’s very hard to have a spontaneous laughter. It wasn’t working.”
“And Joan — because I didn’t know Joan that well, I guess she didn’t know me. So I said to one of the production assistants, we were close to the Plaza Hotel, I said, ‘Get about four Bloody Marys.’ And so they came back after looking and I had a couple of Bloody Marys, and Joan had a couple Bloody Marys. And we shot the scene kind of like that. And actually, then Joan left. I had to do some pickup work. And I was feeling really good, and I didn’t care where the hell the cameras were,” he stated.
36.
Per Entertainment Weekly, Aliens creator/director James Cameron and particular results artist Stan Winston determined to make the Alien Queen a puppet as a substitute of an animatronic for protection causes. After the director sketched out what he sought after it to appear to be, they examined it by means of construction a 15-foot steel body, striking It up, hanging two puppeteers inside of, and protecting them with trash baggage. The ultimate Alien Queen puppet used to be 14 toes tall. According to the Telegraph, running it required 18 puppeteers, keep watch over rods, cables, and hydraulics.
37.
In the docuseries Arnold, The Terminator creator/director James Cameron stated, “I had been told by [Orion Pictures cofounder] Mike Medavoy that the movie was all cast. ‘I got this all worked out. O.J. Simpson and Arnold Schwarzenegger.’ I said, ‘Well, which is which?’ Those two names just sounded so wrong to me.” Recalling his assembly with the director, Arnold added, “During our conversation, it became clear no one was hooked to O.J. Simpson playing Terminator because he could not be sold as a killing machine.”
38.
Friday the 13th actor Adrienne King’s mother’s response to the finishing helped promote the film. Adrienne advised Uproxx, “Sean [S. Cunningham, the director] allowed me to come to a screening at a small theatre where the buyers, the head of buyers and distributors, would come to watch it, and he allowed me to bring my mom. It was the first time I saw it, and I saw it with her, and, of course, in the Monopoly scene, she gets a little nervous. Then we get through that. Then, coming to the end, and we’re sitting there, she starts to grab her coat because it’s March, and it’s cold in New York City, and I put my hand on her lap, like, ‘Chill, cool, chill down, don’t get up yet.’ At the point where Jason pops out, she launched out of her seat and screamed so loud that I turned around, and there’s Sean.”
“He’s shaking hands with the distributor. And I knew, genetically speaking, where I got my scream from. It was hysterical. It couldn’t have worked out better. Here he was doing me a favor letting my mom come. Well, my mom’s scream, I think, sold that movie. It was Warner Brothers and Paramount in the back, and they both wanted it. Unheard of. And the rest is history,” she stated.
39.
After a horseback driving harm compelled Sean Young to drop out of Batman, manufacturer Jon Peters sought after Michelle Pfeiffer to switch her. However, Michael Keaton reportedly blocked her casting as his love pastime as a result of they had been exes in genuine existence. Costar Robert Wuhl advised The Hollywood Reporter, “At the time, Michael told me he was trying to get back with his ex-wife. Keaton was firmly, and underline firmly, against that casting of Pfeiffer, and he and [producer Jon] Peters got into it.”
However, Michael modified his track when Michelle used to be solid as Catwoman in Batman Returns. She advised Entertainment Tonight, “It was great actually working with him, having had a history, because I was really out of my element. Also, the fact that he had done this kind of picture before, and I didn’t know what to expect. I felt really comfortable with him. I felt really safe with him. I could go to him and say, ‘Why am I feeling so awful? I don’t know what’s going on.’ And he would explain it to me. ‘I know. I went through it on the first one.'”
40.
And in the end, consistent with Universal Pictures All-Access, An American Werewolf in London director John Landis used to be desperate to make the transformation scene not like any werewolf transformation scene ahead of. To make David Naughton’s chest hair develop, they filmed the pictures in opposite order, beginning with a furry chest. Then, they got rid of and trimmed some hair for each and every next shot. To make David’s frame turn out to be from human to wolf, they made what particular results make-up artist Rick Baker referred to as “change-o-heads,” “change-o-hands,” and “change-o-backs.” These stretchy, flesh-like props had mechanisms inside of them that distorted them into other shapes.
What’s your favourite ’80s film? Let us know within the feedback!
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