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I’ve been within the editorial trade for more or less 9 years and feature noticed many glowing celebrities doused in head-to-toe glam. I do know make-up artists’ methods just like the again of my hand and feature witnessed my justifiable share of jaw-dropping hair transformations, together with floor-length extensions, Technicolor dye jobs, and extra. Thus, having witnessed nearly each and every form of glance below the solar, it is uncommon that I see a hair-and-makeup second that is so stunning and so completely finished that I moderately actually get butterflies.
You almost certainly know the place I’m going with this, but if I noticed the primary photographs emerge from Who What Wear’s quilt shoot with Florence Pugh, I used to be utterly transfixed. The make-up and hair may well be described as “polished” or “minimal,” however each and every element is completely catered to the lovely number of clothier seems to be worn by means of the actress—from that powder blue Dolce & Gabbana get dressed to a lavender Proenza Schouler quantity dripping in fringe.
Obviously, I wished solutions, so I requested hairstylist Bridget Brager and make-up artist Alex Babsky to proportion their procedure and must-have merchandise. Keep scrolling—it would be best to save the following tips for months to come back.
If you talked to any person who labored with Florence Pugh on set, the resounding adjective you would listen time and again will be the phrase “magnetic”—a descriptor the actress is understood for in the case of her paintings onscreen but additionally emanates thru her IRL air of mystery as neatly. “We didn’t want anything too ‘done’ or loud,” Brager tells me. “Our goal was to balance everything with some simplicity and create interest that really allowed Florence’s natural beauty to shine through.”
Since the site and cloth wardrobe for the shoot had been so decadent and wealthy with colour, textures, and styling, Brager labored with the photographer to get a hold of a plan the place Pugh’s hair would really feel easy but proceed to adapt naturally because the shoot wore on. “We started with a low-maintenance look that built into a more textured, piece-y wet style for later shots,” Brager explains. “Then, for a few images, we pulled the hair back to keep the focus on Florence’s face. Between the clothes, the location, and the muse … I think all of the artists on set intuitively knew what had to be done. We were all just nodding our heads like, ‘Yes, yes!’ when we saw what we were working with. These are my favorite sets to be on.”
To start the styling procedure, Brager began with Pugh’s freshly washed hair and prepped the lengths to ends with Hair Rituel by means of Sisley Paris’s Precious Hair Care Oil ($120) so as to add an additional dose of shine and warmth coverage. For quantity and raise, Brager used the emblem’s Volumizing Spray ($115) particularly on the crown and hairline.
Next, Brager dried Pugh’s hair into form the usage of the L’Oréal Professionnel AirLight Pro Dryer ($475) and Hair Rituel by means of Sisley Paris’s Radiance Brush ($120), which, she explains, is helping clean the hair whilst nonetheless keeping up a lot of frame. Once the hair was once dry, Brager added some additional smoothing magic by means of T3’s SinglePass StyleMax Professional Flat Iron ($160), which additional enhanced shine and an ultra-sleek end.
For moments all through the shoot when Brager sought after so as to add just a little extra texture to the actress’s hair, she carried out Rōz’s Evergreen Style Cream ($32) prior to clipping the hair into position the usage of Jill Buck’s Creaseless Hair Clips ($12). Brager says it is a should if you wish to handle the form of the hair. To end, she used R+Co’s Dart Pomade Stick ($25) to tame any flyaways and locked the whole lot in with Hair Rituel by means of Sisley Paris’s Invisible Hold Hairspray ($115) for added cling and varnish.
When requested concerning the inspiration for Pugh’s make-up, Babsky echoed Brager’s sentiment, throwing out phrases like “fresh,” “polished,” and “minimal.” “A glowing, healthy-looking complexion was the basis of Florence’s beauty look for this shoot, so I really concentrated on prepping her skin prior to applying any makeup,” he says. Before double-cleansing Pugh’s pores and skin with a wealthy, creamy cleanser, Babsky frolicked giving the actress a radical, lymphatic therapeutic massage, which he says in point of fact is helping to outline and sculpt the face up to imaginable.
When it got here time so as to add product, Babsky began by means of dotting a liquid luminizer on the entire top issues of Pugh’s face. This, he says, in point of fact is helping to brighten the pure glow of the surface prior to you move in with basis and concealer, which he simplest likes so as to add in very centered spaces the place extra protection may well be wanted.
To create a stupendous and natural-looking flush, Babsky custom-mixed a blush-toned cream colour and patted it calmly over the actress’s eyes and cheeks. For Pugh’s lips and lashes, he smudged a natural-tinted lip pencil over the contours of the actress’s lips for invisible definition and curled her lashes (leaving them mascara-free) for freshness.
“No Florence makeup would be complete without a good brow, so I filled them in and brushed them upwards for a ‘boyish’ finish,” says Babsky. “My key merchandise on set had been Valentino’s V-Lighter Illuminating Face Primer and Highlighter ($59), which provides pores and skin probably the most stunning luminescence. I combined sun shades Rosa and Ambra and used this over Florence’s frame as neatly.”
Another Babsky staple? Valentino’s Brow Trio Eyebrow Liner ($40), which comprises a forehead pen, pencil, and spoolie. (It means that you can construct a just right, considerable forehead.) “Later in the day, we moved outside and shot some richer-toned outfits on Florence, so I substituted her natural lip for a deep berry tone, which would be able to stand up to the other strong colors that would be in the shot,” he concludes.
