Cannes Day 8: Team Homebound makes a mark at the carpet, Scarlett Johansson makes directorial debut | Filmfare.com

The 78th Cannes Film Festival continues to serve cinematic brilliance with a dose of glamour, as Day 8 noticed a mixture of debut appearances, transferring reunions, and model statements that will probably be remembered for years. From Scarlett Johansson’s acclaimed debut as director and crimson carpet second with husband Colin Jost to Janhvi Kapoor’s shocking debut at the crimson carpet, the French Riviera used to be the hub of each taste and storytelling.

Scarlett Johansson for Eleanor the Great

A momentous spotlight of the night got here with Scarlett Johansson’s directorial debut, Eleanor the Great, which earned a five-minute status ovation after its international premiere. Speaking to an emotional crowd, Scarlett emphasised the movie’s unbiased spirit: “No one’s doing it for the money—surprise,” she joked, ahead of including, “Everyone who came together for this film did it because they believed in the story.”

Scarlett Johansson and June Squibb hug all through the ‘ELEANOR THE GREAT’ status ovation in Cannes. %.twitter.com/RHlgBJncyN

— Film Updates (@FilmUpdates) May 20, 2025

Arriving at the crimson carpet in a dreamy Prada robe fabricated from pastel blue chiffon, Scarlett exuded undying class. The ruched bodice and drop-waist design, paired together with her iconic crimson lipstick, struck the easiest steadiness between comfortable romanticism and impressive sophistication. This used to be a double debut—on-screen and at the Cannes crimson carpet—and she or he didn’t pass over a beat on both entrance. Her husband Colin Jost attended together with her.

Team Homebound shines at the crimson carpet

The Homebound group lit up the crimson carpet now not most effective with their movie however with their thoughtfully curated taste. It marked director Neeraj Ghaywan’s 2d Cannes look—his first being the severely acclaimed Masaan in 2015. Janhvi Kapoor floated down the crimson carpet in a rose-toned Tarun Tahiliani customized ensemble. The outfit featured a handwoven actual tissue lehenga and structured corset, with a beaten texture that shimmered underneath the lighting fixtures. The uncooked, uncut hem added a planned nod to the authenticity of Indian craft, whilst a signature TT drape introduced sculptural fluidity and poise.

From Indian soil to the shores of Cannes – our group Homebound shines moments ahead of the crimson carpet!🎬📷 %.twitter.com/uOAzQ5Doqo

— Dharma Productions (@DharmaFilms) May 21, 2025

Joining her at the carpet used to be Ishaan Khatter opted for a deep Bordeaux velvet bandhgala through Gaurav Gupta, paired with a silk wrap blouse and adapted trousers. The standout element? Intricate black zardozi Celtic knot embroidery, symbolizing internal energy and everlasting bonds- each components which have been a delicate nod to Homebound.

Co-star Vishal Jethwa commanded consideration in a pointy black energy swimsuit through London-based clothier Kaushik Velendra. Jewel-studded shoulder pads increased the glance, whilst a golden dragon neckpiece made a observation. The director, Neeraj Ghaywan had a extra understated apparel as he walked along his solid. Karan Johar, the manufacturer of Homebound, added his signature sartorial edge to the combination in a white Manish Malhotra ensemble, proudly status along his group at the world level.

Team #Homebound shines at Cannes.#KaranJohar, #IshaanKhatter, #JanhviKapoor, #VishalJethwa and #NeerajGhaywan attended the distinguished movie competition for the premiere in their movie. #Trending #Cannes2025 #CannesFilmFestival %.twitter.com/NNGUEJQonb

— Filmfare (@filmfare) May 21, 2025

Jodie Foster’s in Loewe

Jodie Foster stored it minimum but significant in a graceful silver satin Loewe robe. With a top neckline and comfortable draping, the ensemble whispered luxurious. But it used to be the tiny shell appeal sewn subtly into the get dressed that captured model critics’ consideration—a rebellious nod to punk in an differently serene glance. Foster as soon as once more proved that class doesn’t want to shout to be noticed.

Elsa Hosk’s for Vie Privee

Model Elsa Hosk grew to become the premiere of Vie Privée into her personal private runway. Her strapless robe through Russian clothier Anastasia Zadorina featured an architectural bodice and a hem trimmed with subtle white feathers. The consequence used to be an arresting visible mix of construction and softness, encapsulating Cannes’ signature mix of avant-garde and beauty.

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