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A Festival of Korean Dance: Jungle evaluation – muscular depth and beauty

A Festival of Korean Dance: Jungle evaluation – muscular depth and beauty

Okay-pop, Okay-drama, Okay-beauty: South Korean tradition remains to be so scorching presently. How about Okay-contemporary dance? Not so mainstream possibly, however it’s going down, and it’s right here, in an annual competition (introduced in 2018) with six works throughout 4 towns over two weeks.

This opening evening isn’t essentially indicative of what’s to come back: long run presentations come with a Shakespeare rewrite with rock guitars (Ham:beth by means of Modern Table) and a meditation on monotony impressed by means of Sisyphus (Melancholy Dance Company’s 0g/0 grams). But this primary display is the largest, with the 16-strong Korea National Contemporary Dance Company, based in 2010 and now beneath the path of Sung-yong Kim, whose piece Jungle they carry out.

What more or less jungle is it? The city one: busy dancers crowding the level, up-close however unconnected? Or creatures of the wooded area: all intent on their very own paths of survival, pushed by means of intuition? Officially it’s the latter, no longer simply the animals however the jungle plant life, too. How a lot of that you’ll be able to learn is moot; whether or not it issues, ditto. Over 60 mins, the piece strikes in levels, with other variations of dancers, and mere glimpses of images: two arms outstretched as though keeping an providing, for instance, or two characters in a short lived, cautious disagreement.

Sudden bursts of pace … Jungle by means of Korea National Contemporary Dance Company. Photograph: Tristram Kenton/The Guardian

The dancers’ talent is spectacular, with strains and lunges lengthy and deep, heavy waves of motion, considerate and muscular. They’re costumed in grey-brown sunglasses in an array of textures, and (on the outset, a minimum of) the summary sound global has the similar slender band of color – and arguably the dance does, too. But from time to time, a unmarried dancer startles with an arresting person high quality: a surprising burst of pace, a shocking fold-flick-fan in their hands, or motion that’s wealthy with a resist-and-release rigidity.

Then there are moments of depth or marvel: a way of worry sweeping the room with the sound of steel crescendos; mild that floods from the facet of the level, floor the dancers (a danger?); or beams from above like a powerful dawn. In these kind of circumstances, the our bodies in an instant change into beings on the mercy of a larger power, present with regards to one thing else, and their which means multiplies.


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